The books are usually enjoyable. The series is not terribly
startling -- an alert reader will catch most of the big "surprises"
in the stories well before they are revealed -- but it's certainly
acceptable entertainment. Currently the books are, in order:
One of my pet peeves in fiction is people who write of things they
know nothing about. Fortunately, Viehl seems quite familiar with both the
medical profession and the usual mindset of doctors. I did occasionally
find it a touch odd to read drug or medicine names I recognized from
today, but perhaps the names of medications change less over time,
in the future, than they initially did in our past.
However, the author certainly had plenty of other medical
advances which I found fascinating, and truly wish we could implement
today. Sterile, impenetrable force fields for surgery, at the switch of
a button? Wonderful!
The initial book in the series tells of Dr. Cherijo Gray Veil's
escape from her over-controlling father and xenophobic Earth, to a
distant stellar colony in desperate need of competent surgeons. While
there she makes friends and enemies, finds love, faces a plague, and
escapes attempts to capture her and return her to Earth.
The first book was fun and usually quite interesting, with a couple of
nice (if predictable) plot twists in it. The required romantic subplot
was a bit contrived, and left me feeling a bit unbelieving. If
someone effortlessly invaded my mind, took over my body, and did
so without my permission, I suspect I'd have him slapped with -- at
bare minimum -- a restraining order (or whatever they're called
in the future), no matter how pretty he was.
Despite this requisite "romantic" stupidity, other parts of the
book were fun. The character development and interplay of the doctors was
well-handled. The concepts and characters were fresh and new to me, and I
enjoyed the book enough that I was looking forward to the second book.
In this book Cherijo adjusts to life as a fugitive from Earth's
military forces by practicing her profession for her new adopted people.
While on their ship, she makes more friends, finds love, uncovers a
psychopathic murderer, saves her adopted planet from alien slavers,
and escapes attempts to capture her and return her to Earth.
The second book wasn't bad, although knowing who the psychopath is
before the characters do means you have to wade through a couple of
tragic murders while you wait for them to figure it out. Also, there was
one cultural "cheap shot" I didn't much care for -- an unpleasant minor
character is revealed to come from an unremittingly filthy and apparently
worthless culture. Considering how interestingly varied most of Viehl's
aliens are, I found that a bit simplistic and two-dimensional.
Unfortunately the second book ended with a real downer of an ending,
which made me seriously consider not bothering to read any
further. Treachery from friends and beloveds is a bit of a hot button
for me, and knowing for about a hundred or so pages that it's going to
end horribly isn't much fun for the reader.
Personally, I've no idea why the author ended the story there.
Why didn't she cut off just a handful of pages earlier, leaving the
readers with a worried but hopeful feeling, then start the next book
with the big, horrible betrayal?
Perhaps there were publishing demands here, as in a certain required
number of pages. However, a plot development such as she posed in this
book's ending is one I'd think would be best handled immediately and
interestingly within the story, rather than left hanging at the end of
the book, to make the reader wait however long it took Viehl to write
the next story.
The only other series I know of which has a similarly depressing and
demoralizing ending was the Lay of Paksenarrion, and I didn't
really like it there either. At least you didn't have your nose rubbed
in it in the Pax stories, though -- the third book in that series started
perking up the protagonist almost immediately.
Unfortunately, immediately "perking up" does not occur in this series'
next volume -- and so the third book, Endurance, was rather
iffy for me. In this book Cherijo doctors both slaves and their alien
captors on the planetoid the slavers are using as a depot. While there
she does her best to avoid being killed, mastered, tortured, eaten, or
discovered as a conduit in the "underground railroad" which is helping
slaves escape.
I'll admit freely, I find heroes who neglect to think through the
potential consequences of their actions, then blame the consequences
on others, somewhat irritating. Also, you have to wade through some
repulsive (although possibly accurate) depictions of the humiliation and
degradation of slavery, and the destruction of ethical thought in some
of the captors -- very "mad Nazi doctor" feeling. The book does end well,
however, which sort of made up to me for the incredibly depressing ending
of the second book.
I am also not fond of the classic romantic fiction stricture which says
the heroine must be incapable of communicating well with the object of her
affections, and must be somehow physically inferior to him. For example,
Cherijo has little good to say to her former-sweetheart/now-slave-owner,
even though we find out it would have been smart if she'd at least
tried to listen to him, and he's almost alienly inarticulate himself
as well.
Also, in the book her love interests are both about 6' tall, whereas
she herself is much smaller. Indeed, we find out in a later book she's
about the size of a child, standing at 4'11". I think it's sad a strong,
capable female character like this has to be symbolically "emasculated"
so she's not too "threatening," and I'm not fond of males being portrayed
as needing to push females around to show their desire. Female passivity
in the face of rampant male physical possessiveness is bad enough in
this world -- I see no reason to idealize or romanticize it.
This book starts with Cherijo and her husband falling into a rather
obvious trap which results in their being captured and returned to
Earth. While in the clutches of her creator/father, they're rescued by
an underground-living tribe of alien/Native Indian crossbreeds, led by
a disturbingly charismatic madman. The two of them are forced to aid
the tribe in fielding a winning team in a dangerous sport, and Cherijo
makes some disturbing discoveries about her past.
Because of my impatience with deliberate obtuseness, it was a relief
when the heroine finally decided, in the fourth book, to come clean with
her husband. Unfortunately I couldn't really figure out the reason for
the length of the fourth book -- as far as I could tell the story's
entire purpose could have been excellently told in maybe 200 pages,
instead of the over 400 which it took.
During the story you're introduced to a truly unpleasant but
charismatic character, and get hit once again with the tired old
chestnut of a female character produced just for breeding stock. The
Perfect Progenitor of the Future Race -- gosh, have we ever heard that
one before? Nazi themes predominate!
The death of the main villain of the series, in the fourth book, was
almost anticlimactic, considering he just walked into it for no good
character-based reason. By the time he and the charismatic madman are
killed, it's mostly a relief -- a sort of "phew, that was tiring;
glad they're gone," instead of any real pathos, or desire to cheer
for the heroine. I will admit it always leaves me a little cold while
reading a story, though, when someone suddenly starts behaving completely
anomalously, without explanation, such as the main villain did.
Eternity Row
Safely back with her adopted people, Cherijo travels with them to a
variety of planets. In doing so she faces the problems of dealing with
religious zealots with medical issues, undying immortals with medical
issues, and motherhood, and attempts unsuccessfully to discover more
about her past.
The last book also made me wish it weren't quite so long. It's obvious
from the various books Viehl (or, to be fair, just the heroine) views
religion as a form of deliberate stupidity or madness, which I find a
bit unfair, even though I'm not terribly religious myself. After all,
some of the most devout individuals of our world also created some of
our most beautiful cultural monuments.
Also, to depict religious fervency as creating an unremittingly short,
brutish, and nasty medieval culture, where even animal-drawn carts are a
sin against their god, is one thing. To suddenly have these
same people jump into their theoretically sacredly maintained,
several-hundred-year-old space ships, and zip off to declare religious
war on another world, just becomes silly and unbelievable.
The precocious child with the thick, cutesy-poo speech pattern got a
bit old after a while; I'm not that wild about emotionally manipulative,
indulged kids as it is. I also can't help wondering why everyone seems to
be deliberately blinding themselves to the kid's unique abilities. Doesn't
anyone ever ask how she keeps getting in and out of these locked rooms,
for god's sake?
Also, once again using heretofore unremembered "ancient laws" from an
alien culture to try to induce tension was not new nor original. By the
time Cherijo's husband and adopted older brother were fighting to the
death over her, I was thoroughly disgusted with her incessant waffling
about them, and couldn't help wishing she'd simply hit both men over
the head with the "ancient texts" instead of just reading from them.
In effect, the book started to get a rather Star Trek - First
Series feel to it after a while. I understand sending your best and
brightest down to a planet for parley, and I also understand the author's
need to have you care about what's happening on the planet. However,
repeatedly sending (for example) the Captain and the lead doctor
downside, just to have their launch repeatedly stolen/accidentally
damaged/vandalized so they're yet again imprisoned/sold into slavery/stuck
there... doesn't necessarily strike me as smart.
Another Star Trek-like convention I didn't much care for
was the appearance of the all-powerful alien deity-type. Personally,
if my leaping through Q's stupid psychological hoops determined the
fate of the Human race, I can't swear we'd all still be around. I have
an incredibly bad reaction to spoiled & petulant children,
and I wish I knew why we all assume that's how every all-powerful being
will behave. Are we projecting our own snotty mindset onto what absolute
power might be like, or are we just playing "sour grapes" with our own
feelings of powerlessness?
Overview of the Series
I already mentioned the cultural cheap shot and the unpleasant view
on religion, above. One other theme running through the series bugged
me, although it's quite possible other readers loved it. I refer to
the deliberate creation of tension between the males and females in
the stories, to create interest and/or "romantic" suspense for the
reader. I'm not sure why a stupid refusal to communicate well can be
considered romantic, but then I also don't find demandingly possessive
and physically pushy males (or females, for that matter) interesting to
be around.
The use of on-again/off-again marriage as a tool to demonstrate the
heroine's emotional confusion got rather old after a while. Considering
the Human species isn't really monogamous, having the heroine waffle on
incessantly about who she's going to live with/marry/have sex with/trust
didn't make a whole lot of sense to me.
Making her first lover come from a (theoretically) genetically
monogamous species, so the heroine couldn't just share with both the
guys she was attracted to, was one of the reasons the first book's
romantic subplot felt so forced. It didn't help either when the author
played around with that so-called genetic monogamy in the second book,
in order to drive the story.
On the other hand, I guess if everyone was happily and non-jealously
sharing with each other (the logical conclusion to loving more than
one person, duh), the author wouldn't have much to work with as far as
emotional/sexual tension, which I believe is a requirement in the romance
market. Still, this incessant whining about who belongs to/marries whom
made about as much sense to me as someone getting their shorts in a knot
about who will shave their eyebrows together with whom.
Conclusions
By the publication dates, Viehl has really blasted these books out
at top speed. They're about 400 pages each, which adds up to 2000
published pages in about three years -- which impresses me. The first
two were released in January and July of 2000, the second two in January
and November of 2001, and the last in September of 2002.
It's obvious, from the rather unexciting ending of the last book and
the lack of resolution to the heroine's researching of her background,
that the series is unfinished. Unfortunately I'm not sure I care. Also,
while there are more books in this particular fictional universe which
I've not read, I don't think I'll seek them out. I bought the first book
used, and got all the others from the library. To be honest, if I'd paid
good money for the second book I'd have been quite irritated about it.
However, to be fair to the author I should point out two things.
First, I am a very critical reader. This review unsurprisingly probably
sounds quite negative, as I'm mostly pointing out my disappointments,
not my pleasures, in the books.
Second, despite my disappointments I did actually go ahead and read
through the entire Stardoc series as of July 2004. If the books
had been unremittingly awful I would not have. Instead, I found things
to enjoy and thoughtfully puzzle over in almost all the books. While I
cannot recommend the series with wild enthusiasm, I can recommend it.
I'd be quite interested in how other people see this series, so please
feel free to give me your views -- I'd appreciate that.
Reader Comments
08.12.04: Lou's thoughts
(and my replies)
This is a nonhuman? What is she? Merely an improvement to the species
or something completely different? It doesn't matter, but I'm nosy.
As far as I can tell, she's initially portrayed as just
a really good genetic improvement on the species. Later books
hint at something potentially more superhuman, which I admit I found
a bit tedious, since I didn't like the supercilious attitude of the
"hinter."
Stardoc: I thought you'd have a stronger reaction to
body-stealing. Ick.
It only occurred for a few seconds (at least in this
book) but it permanently and definitively killed any potential of
my finding that guy an interesting romantic possibility within the
story.
The later rape by him while he's possessed didn't help at all,
of course. Mostly I just 'blipped' through those scenes as unbelievable
-- and thankfully there weren't many 'romantic' moments with him in the
first book.
Beyond Varallon & Endurance: They sound icky. A former
lover turned owner of the protagonist as a slave? Ick.
Guess who it was? See above. ;-p
Shockball: Sounds confusing and unpleasant.
Eternity Row: I don't understand what or why this book was about.
Animal drawn carts and hundreds of year old spaceships? Why? Oddly,
I have no problem believeing this in "Firefly", but it doesn't make
sense here.
Umm... actually, I never quite grasped the point of the
story either, as I noted in my review. Too many words for too little
information or character building.
Also, "Firefly" didn't have an entire planet of folks refusing
to use science for 400 years -- then suddenly erupting into instant,
easy use of the forsaken tools.
Genetic monogamy? Huh?
*sigh* Don't ask. Badly conceptualized, ridiculously
handled.
All I can say is that this sounds confusing and unpleasant, and I'm
glad you've saved me the trouble of reading them.
Hm. I admit, in your shoes I'd be pleased at being warned
not to waste my time on something I probably wouldn't like. However, I
do admit to a pang of worry that I've kept you from something you might
have liked. I don't know... how do you feel about it?
02.17.05: George's thoughts
(and my replies)
You mentioned:
"The only other series I know of which has a similarly
depressing and demoralizing ending was the Lay of Paksenarrion, and I
didn't really like it there either. At least you didn't have your nose
rubbed in it in the Pax stories, though -- the third book in that series
started perking up the protagonist almost immediately."
The series was "The Deed of Paksenarrion" and the second book (with
the downer ending) was "Divided Allegiance."
Ah, thank you! I'll add that info in. I liked that
series.
Otherwise an interesting set of reviews. In retrospect, do you think
it was worth the time to read all 5 books? Your review doesn't make it
sound like it.
Hm. In all honesty, George... I don't know. Frankly, while
only bits of each book interested me, those individual bits were rather
fun. Now if her editor had made her trim a lot of the excess verbiage out,
I think there'd have been a very nice, fun, interesting series -- of only,
say, 3 books. That I could definitely recommend. ;)
02.17.05: Brett's thoughts
(and my replies)
I... the initial concept you give up there makes me interested in it,
but after reading the full review, I can't help but agree with Lou, that
I feel I've been protected from a series I otherwise would have probably
not enjoyed reading.
I admit, the initial premise drew me quite strongly as
well. That, coupled with my being a fast reader, got me through all 5
chunky books rather quickly. I can't say that's a good thing, though...
;-j
It seems to manage almost all of the annoying bad cliches I really
despise when I hit them in books, movies, or TV series. Everything from
the sympathy for the slaver, to the romantic problems happening for no
good reason, to what seems like a use of cheesy plot-devices to drive a
plot-line that can't support itself.
And then we have the "Battlefield Earth" Movie (and man that did
horrible things to a cheesy, but not all that bad book) and now we can
instantly use super-advanced, compared to our current standards, tech
with minimal training' crap. Argh!
I really do agree with you on the dislike of pushy, demanding,
people, so being expected to consider such a character one of the good
guys is going to be annoying, and don't even get me started on the
juvenile super-being 'Q' thing. The 'Ascended' from Stargate are bad
enough, and even they are just ignoring everything that goes on, instead
of actively poking sticks into the anthill.
Sorry about that, but the review implies the series seems to manage
to, in its books, manage to push most of the buttons I have, while still
nominally being about the kind of subject matter I would otherwise
enjoy. Ah well, there are other good books out there. :)
Hear, hear. If you know of any you think would be
enjoyable reading and reviewing for me, let me know! I like receiving
good suggestions.
I did quite enjoy the "Lay of Paksenarrion," though I think it helps
that I ended up reading the entire series in quick succession, because I
really did feel for her. Though by the end of it she was becoming a bit
too... well, she was kind of making the move from being a paladin to
'something else' and that something else didn't feel very human at
times. Still, it's a series I enjoyed, and did read more than once.
I also enjoyed it, and I agree with your assessment. I
suspect absolute good, like absolute evil, is boring! ;->
I'll also note I too was able to read the entire series in one
sitting. A friend who had to wait after the second book said he found it
an incredibly depressing ending. Meh... I don't know. I
understand the use of cliffhangers, but I've yet to see any kind of
really dramatic cliffhanger at the end of a book 'feel' right, if that
makes sense?
02.20.05: David's thoughts
(and my replies)
I'm pretty sure I read one of these Stardoc novels a while
ago. I can't remember what it was about, which is pretty rare for me
unless the story is really weak. From your comments I'm thinking this
is the case here. Never much cared for the downtrodden heroine having
a rough time in the mean future. Bleah.
Yup, I too can generally retain good stories, but this
one's fading already, I see, when I re-read the critique I
wrote.
Some fun stories I do remember are John Ringo's There Will
Be Dragons, and Emerald Sea. Historical craft faire buffs
getting by after the fall of a super high tech civilization. The good guys
re-invent the Roman Legions. The bad guys invent Orcs and trolls. Then
they fight! Good stuff, not the usual post-apocalyptic crapola.
Singularity Sky by Charles Stross which starts with a rain
of cell phones on a planet of indentured peasants and gets much
more fun after that. How can you not like a rain of cell phones?
Well, as long as they don't land on my head...
;)
Neal Asher, Gridlinked and Line of Polity. Human
star empire deals with moon sized superhuman A.I.s and home grown
terrorists. Very nice.
And they have the advantage of being memorable! ~:D
*happy sniffle* Oh my god, you gave me good reading
suggestions! Do you know how rare that is?! I really want good
suggestions, dammit -- I don't want to waste my time reading crap,
after all! Hmm... now I just have to find all these spiffy new
books. Thank god for interlibrary loan... ;)